The decapitator is not just a simple approximation of analog sound. We've worked hard to capture the feel of analog equipment. It's not a static snapshot, but a changing responsive model of all those tubes, wires and transistors. That means you can hear subtle changes as the Decapitator reacts to a track and follows the dynamics of an instrument. That's what analog is all about. With five different analog saturation models for choose, the Decapitator is perfect for adding personality to every type of track and instrument in your mixes. We've also included a modeled tone control that allows you to shape the saturated sound and a mix control that allows you to mix some dry signal for parallel processing without the need for routing and sub-mixes. Combine it all with the flexibility and reliability of a Soundtoys plug-in, and you'll get the best of analog and digital together in one essential effect. Saturation - is the essence of what makes analog hardware sound so musical and pleasing to the ear. The sound of tubes, transistors and circuitry being pushed to the limit has long been the key ingredient in great-sounding analog recordings. Engineers use saturation to strengthen things, tune them, give them an edge, add warmth, extract elements from the mix, and create unique sounds.įrom the very subtle to the extreme, analog saturation is an integral part of great mixes. That's why we've taken our time, studied all the great analog classics, and meticulously created a plug-in that brings the best of analog saturation to your digital studio. Saturation modeled by subtle to extreme hardware. The secret weapon of the best mixing engineers.
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